You can leave journalism altogether or you can take the longest way around the barn possible to try and keep doing it (and maybe, in the process, save local journalism).
That was the choice that I and four other journalists were facing in fall 2021, after witnessing countless talented colleagues get fired, pushed out, or just endure being grievously underpaid until they said fuck it and quit, that they’d had it with an industry marred by catastrophically inept management decisions. Staring down the middle parts of our careers, the landscape where we had begun our time in journalism was completely cratered out — the once voluminous flow of investment into digital media had dried up, while the local news outlets where we cut our teeth were blinking out, little fires smothered by hedge fund buyouts and consolidation. Everything was getting balkanized, with popular writers from the internet launching their own Substacks after their publications died. The funders for non-profit journalism were, as ever, wildly up their own asses and couldn’t figure out how to sustainably fund or scale a newsroom. Google and Facebook had devoured whatever was once financially enticing about publishing on the internet, with their wild overpromise of ad revenue from clicks.
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Here in New Orleans, if you want to go out and buy a print magazine, good luck. Newsstands are essentially a thing of the past, and few bookstores still stock periodicals. The situation is the same across the country. In Cambridge, Massachusetts, for instance, the beloved newsstand that anchored Harvard Square for decades closed in 2019. The nearby Harvard Coop bookstore also got rid of its magazine section to make room for more university-branded sweatshirts and other souvenirs.
The less I see of newsstands, the more I worry for the country, because magazines are vital for the health of democracy.
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Before the internet, what would today be called a “paywall” was just a place where people could buy a newspaper or magazine. Your subscription or newsstand purchase didn’t pay for every far-flung reporter; media outlets subsidized access to readers with advertising and other revenue streams. But though the barrier to entry was relatively low, it was still a barrier. You had to acquire the physical object hosting the material, and unless you went to the library every day or got your hands on a discarded copy in a coffee shop, you would have to pay for it.
Once all articles got posted on websites, tension grew between the idea that information wants to be free and the need for reporters and editors and production teams to afford food and shelter. At first, legacy subscriptions and digital advertising covered the nut; I remember the New York Times and Washington Post segmenting stories into sections so readers had to click repeatedly to finish them, ringing up more ad impressions. But Google and Facebook robbed publishers of the ad revenue that made this (sort of) work, and ever since, media companies big and small have been grasping for an alternative.
They have mostly failed. Between 2004 and 2022, over 2,100 newspapers have gone out of business, according to data from the University of North Carolina. New media pivots from words to video and back again have proven disastrous. Layoffs have touched everyone in this industry; friends and colleagues habitually call me asking for advice or referrals for hiring.
Those of us remaining to report the news have settled on a noble idea: A community of readers can pay to get the information they need. Sometimes the “reader” is one rich person keeping things alive, but that usually ends in tears. A broader base of support is far more sustainable, and there are several outlets, from my site The American Prospect to the one you’re reading right now, that are making this work.
In some ways, it’s a throwback to the pre-internet era, or even the premodern era of patronage. But the pay-to-play trend in journalism is happening at a time of runaway income and wealth inequality, when the top 10% of income earners account for nearly half of all the spending. This has created a strange paradox: The average news consumer today has more available to read than at any time in human history, yet less ability to understand what’s really going on.
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Whether I like it or not, the first line of my obituary will probably be that I was the founding editor of Gawker.com, the flagship site of Gawker Media, a sprawling blog network that was put out of business by Peter Thiel and Hulk Hogan in 2016. Nick Denton and I started Gawker in 2002 and I left in late 2003 to go to New York Magazine, so I missed some of Gawker’s greatest hits and biggest misses, but the early ‘00s were what I now think of as the heyday of blogging. (Talking Points Memo was started in 2000.)
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I want to begin this introduction to our 25th anniversary essay series by telling you what an exciting and must-read collection it is. Our team has commissioned 25 essays on the history of digital media, which more or less overlaps with the 25 years we’re celebrating here at TPM this year. We solicited contributions from a wide range of contributors — people who first made their mark at different points in the history of digital media, people who’ve worked in different parts of the digital beast, people from very different political persuasions. We have Semafor’s Dave Weigel on Elon Musk and X; Jacobin founder Bhaskar Sunkara on the rise of Substack; Gawker founder Elizabeth Spiers on blogging; Marisa Kabas of the Handbasket on journalists as personal brands; Marcy Wheeler (Emptywheel) on troll culture and the rise of Trumpism. That only scratches the surface on the series we’re kicking off today, and running through our two-day anniversary event in New York City on Nov. 6 and 7.
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- Sarah Jaffe
- Matt Pearce
- Brian Beutler
- Kylie Cheung
- Megan Greenwell
- David Weigel
- Jon Allsop
- Adam Mahoney
- Julianne Escobedo Shepherd
- Sarah Posner
- Jeet Heer
- Andrew Parsons
- Eric Garcia
- Marcy Wheeler
- Aurin Squire
- Kelly Weill
- Marisa Kabas
- Ana Marie Cox
- Hamilton Nolan
- Bhaskar Sunkara
- Nathan J. Robinson
- Max Rivlin-Nadler
- David Dayen
- Elizabeth Spiers
- Julianne Escobedo Shepherd
- Max Rivlin-Nadler
- Bhaskar Sunkara
- Hamilton Nolan
- Ana Marie Cox
- Marisa Kabas
- Kelly Weill
- Aurin Squire
- Marcy Wheeler
- Andrew Parsons
- Jeet Heer
- Sarah Posner
- Julianne Escobedo Shepherd
- Jon Allsop
- Adam Mahoney
- David Weigel
- Kylie Cheung
- Brian Beutler
- Megan Greenwell
- Matt Pearce
- Sarah Jaffe