SAN JUAN, Puerto Rico (AP) — The uplifting strains of one of Puerto Rico’s most beloved songs filled the air at 6:15 a.m. on Thursday as a choir stood in the coastal town where Hurricane Maria made landfall at that moment exactly one year ago.
The serenade in Yabucoa, a fishing and farming town of 37,000 still struggling to recover from the Category 4 storm, was the first in a series of events to mark the anniversary of the devastating storm and remember the estimated 2,975 people who lost their lives in its aftermath. Protests were planned in San Juan and elsewhere, as well as a funeral procession. Tens of thousands remain without adequate shelter and reliable access to electrical power a year after the hurricane, which caused an estimated $100 billion in damage.
While the U.S. government has invested billions of dollars to help clean up and repair the U.S. territory , much work remains. Major power outages are still being reported, tens of thousands of insurance claims are still pending and nearly 60,000 homes still have temporary roofs unable to withstand a Category 1 hurricane.
“I think it’s inexplicable,” Kumi Naidoo, Amnesty International’s secretary general, told The Associated Press during a visit to the island Thursday. “There’s no justifiable reason I can see for this gross level of negligence.”
Government officials argue that many changes have been made to better prepare Puerto Rico for future storms, but they acknowledge that significant obstacles remain.
“We still have a lot to learn from the challenge of future catastrophic events,” Gov. Ricardo Rossello said, noting that reconstruction continues across the U.S. territory.
Jose Ortiz, director of Puerto Rico’s Electric Power Authority, told reporters that 20 percent of repairs made to the power grid need to be redone. He said crews didn’t have access to the best materials at the time or were forced to rely on temporary fixes, such as using trees as makeshift power polls after Maria destroyed up to 75 percent of transmission lines.
In addition, municipal officials have complained that reconstruction efforts are too slow. Ariel Soto, assistant to the mayor of the mountain town of Morovis, said that 220 families there remain without a proper roof.
“We’re still waiting for help,” he said. “This hit us hard.”
In Yabucoa, tarps still covered many homes that have yet to be rebuilt even as the hopeful strains of “Amanecer Borincano” — “Puerto Rican Dawn” — resonated at the spot where Maria first unleashed its fury. “I am the light of the morning that illuminates new paths,” the choir sang to the dozens of local officials and residents gathered there. “I am the son of palm trees, of fields and rivers.”
In the capital, San Juan, among those still living under a blue tarp during the peak of hurricane season was Sixta Gladys Pena, a 72-year-old community leader.
“You worry, because you think it’s going to fly off like it did before,” she said. “We’ve lost an entire year and nothing has been resolved. You feel powerless.”
On Thursday, Ben Carson, secretary of the U.S. Department of Housing and Urban Development, announced in San Juan that $1.5 billion was being released to Puerto Rico as part of the overall $20 billion pledged for rebuilding, the largest in the agency’s history.
Officials said the priority is to help people still living under tarps, as well as those in low- and middle-income housing. The money will be used to repair and rebuild homes, relocate people and help them obtain property titles if needed.
“The path forward is challenging and will be measured not in months, but really in years,” Carson said.
In recent weeks, Puerto Ricans have become increasingly angry and frustrated as President Donald Trump recently touted what he said was a “fantastic” response to Hurricane Maria, calling it an “unsung success” as he denied the official death toll without presenting any evidence.
On Thursday, Trump issued a one-sentence statement on the one-year anniversary of Maria. “We stand with Puerto Rico, and we are helping them to rebuild stronger and better than ever before,” it said.
Nivia Rodriguez, a 60-year-old retiree whose uncle died a week after Maria, is among those disgruntled by Trump’s comments, as well as by videos of rescue crews responding to Hurricane Florence in North Carolina.
“They saved five dogs that were drowning,” she said of the rescue effort after Florence hit, adding that she feels Puerto Rico didn’t get the same treatment. “That hits you.”
Like many, Rodriguez hoped that after Thursday, she would no longer be bombarded by photos and videos that make her feel like she’s reliving Hurricane Maria.
“It’s too much,” she said.
But others felt that Maria’s tragic legacy still needs to be acknowledged, even long after the anniversary has passed. Among them was a group of artists unveiling an exhibition called simply, “6:15 A.M.”
Artist Omar Banuchi, who organized the exhibit, said he was reluctant at first, in part because he didn’t know how to approach the subject. “It’s something that affected all of us and keeps affecting us,” he said.
He said the exhibition walks a fine line, with some paintings showing beautiful landscapes alongside trailers set up by Puerto Rico’s forensics institute as part of the effort to try to identify the bodies of those who perished in the storm. There also will be live music that will incorporate sounds of the hurricane hitting the island.
“The point is for people to have a good time,” Banuchi said. “But there will be certain uncomfortable moments. … Maria is still a difficult topic.”
St. Dotard the Bounty-full will be making an appearance…
Well, he should. After all, he got an A+ for how he handled Maria.
Heck of a job Brock
Which song?
Years ago I played in a Spokane-based salsa band, which, naturally, attracted much of the Puerto Rican community to our events.
One of the funniest things I’d ever witnessed in over two decades as a professional musician was when I talked the lead singer into doing “Guantanamera” accompanied only by his acoustic guitar.
Although a Cuban song written by Jose Martí, it’s considered by many Borinqueños to be the island’s unofficial “national” anthem. Puerto Rican himself, he always resisted singing it in public even though he did an exquisitely beautiful rendition; I’d previously only heard him sing it once as a lark in rehearsal.
He finally succumbed to my incessant whines during a boat cruise on Lake Coeur d’Alene. I’d never seen anything like it before or since.
“Guantanamera, guajira Guantanamera / Guantanamera, guajira Guantanamera,” he sang. Everything was normal … until he started the verse.
“Yo soy un hombre sincero,” he began and all the women immediately began wailing at the top of their lungs, tears flowing. But then they stopped, as if on cue, as soon as he continued, “De donde crece la palma.” Again the wailing, the tears.
This went on for the entire freakin’ song. It was unbelievable!
During the next break the singer, Jorge, came up and said, “I hope you’re happy,” followed by a string of words, obviously pejoratives, that were new to me. So rapid fire and hostile was his delivery that I was left with the distinct impression he wouldn’t be honoring my request again anytime in the near — or distant — future. I never asked.
I heard the painting, entitled “I Walk The Waters,” is slated to hang in a place of honor at Mar-a-Lago, probably the bar, before being put on permanent exhibition at the National Museum of Puerto Rican Arts and Culture in Chicago.
ETA Here’s an oddly related must-watch snippet from “The Tammy Jean Show.” Enjoy.
https://www.youtube.com/watch?v=VgbyxKu3Ed8Yes, friends, “My hands have touched it and it is wet.”